Play Along Piano

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Opera

trolol3000

2:12	Est. Play Time
51	Measures
	4,687Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	2	0	0	5	100%
	3	0	0	5	100%
View all 29 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	2	0	0	5	100%
	3	0	0	5	100%
	5	0	1	5	100%
Alto	12	0	3	4	100%
Baritone	9	0	2	4	100%
Bass	8	6	2	4	100%
Bass Trombone	2	0	0	5	100%
Bassoon 1	5	0	0	6	100%
Bassoon 2	7	0	1	6	100%
B Clarinet 1	11	0	1	5	100%
B Clarinet 2	10	0	0	4	100%
Contrabass	2	0	0	5	100%
Horn 3 4	11	4	3	4	100%
Oboe 1	11	0	1	4	100%
Oboe 2	12	0	2	5	100%
Soprano	12	5	2	4	100%
Tenor	13	10	3	4	100%
Timpani	5	0	0	6	100%
Viola	7	1	1	4	100%
Violin 1	14	9	4	4	100%
Violin 2	17	9	5	4	100%
Violoncello	5	0	1	5	100%
Contrabassoon	4	0	0	5	92%
B Trumpet 1	11	3	2	4	53%
B Trumpet 2	11	4	1	5	53%
Flute 1	10	0	2	4	53%
Flute 2	6	0	1	4	53%
Horn 1 2	11	4	3	4	53%
Piccolo	5	0	0	3	22%

N°5. Giovinette, che fate all amore. Don Giovanni - Piano

FranckM.

1:47	Est. Play Time
87	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	46	4	6	100%
	17	14	1	6	99%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	46	4	6	100%
	17	14	1	6	99%
Masetto	9	0	1	4	36%
Zerlina	9	0	1	3	34%
Chorus Sop. amp;amp; Alto	12	3	1	5	25%
Chorus. TENOR amp;amp; BASS.	8	0	0	5	23%

O Mio Babbino Caro- Puccini (Gianni Schicchi)

Owlman142

1:25	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	9	0	5	100%
Violoncelli.	16	1	0	4	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	9	0	5	100%
Violoncelli.	16	1	0	4	100%
Violini I.	15	7	1	5	94%
Violini II.	16	10	0	5	94%
Contrabassi.	7	0	0	2	84%
Arpa.	16	4	0	2	48%
	20	7	1	2	79%
LAURETTA.	10	0	0	4	78%
Clarinetti 1. e 2. in Si ♭	13	5	0	5	62%
Oboi 1. e 2.	10	10	1	5	59%
Flauti 1. e 2.	16	4	0	4	58%
Corni 1. e 2. in FA amp;quot; 3. e 4. amp;quot;	2	1	0	3	6%
	9	1	1	4	51%
Fagotti 1. e 2.	7	3	1	5	38%
Corno Inglese.	7	0	0	5	28%
Trombe 1. 2. e 3. in FA	8	3	1	2	25%
Clarone in Si ♭	4	0	0	2	13%

HWV5A3N17 - "Gran Donna, a cui oggi Castilglia deve" (Evaneo)

edward.maurath

0:33	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Evaneo	10	0	1	3	100%
Violoncello (Continuo)	6	0	0	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Evaneo	10	0	1	3	100%
Violoncello (Continuo)	6	0	0	3	100%
Cembalo (Continuo)	10	13	2	4	92%
	10	6	1	5	92%

HWV5A1N2 "petto col fulmine del cielo"

edward.maurath

0:06	Est. Play Time
6	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	10	10	2	2	88%
	9	5	1	4	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	10	10	2	2	88%
	9	5	1	4	100%
Violoncello (Continuo)	7	0	1	2	100%
Florinda	7	0	1	5	67%

Wagner - Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Wagner - Die Miestersinger von Nurnberg Overture to Akt 3. [Professional production full score.]

Jamie Holdham

7:34	Est. Play Time
68	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
1. Violinen. 2.	34	0	10	8	55%
Violins	26	0	9	8	54%
2 Fagotte.	18	0	4	8	47%
Bassoon	17	0	4	9	40%
Hr.3 in D.	15	0	2	6	32%
Hr.2 in D.	12	0	2	6	29%
Hr.1 in D.	12	0	1	5	29%
Hr.4 in D.	14	0	2	5	28%
Contrabass.	14	1	4	5	27%
2 Clarinetten. (in A.)	18	0	4	7	27%
3 POSAUNEN.	11	4	1	5	15%
Hoboen.	9	0	1	5	15%
Hr in E.	7	0	1	5	9%
Trombone	6	0	2	4	9%
2 Trompetten. (in D.)	6	1	0	4	9%
2 grosse Floten.	11	1	2	3	7%
A Clarinet	9	0	1	2	6%
BASS.TUBA.	7	0	2	3	6%

Die Miestersinger von Nurnberg Overture to Akt 3. {Professional production full score.}

Jamie Holdham

7:37	Est. Play Time
65	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
View all 19 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
1. Violinen. 2.	33	0	9	8	57%
Violins	26	0	9	8	55%
2 Fagotte.	17	0	3	6	43%
Bassoon	15	0	4	8	35%
Hr.3 in D.	15	0	2	6	33%
Hr.2 in D.	12	0	2	6	30%
Hr.1 in D.	12	0	1	5	30%
Hr.4 in D.	14	0	2	5	29%
Contrabass.	14	1	4	5	28%
2 Clarinetten. (in A.)	15	0	2	6	22%
3 POSAUNEN.	11	4	1	5	16%
Hoboen.	8	0	0	4	9%
Hr in E.	7	0	1	5	9%
Trombone	6	0	2	4	9%
2 Trompetten. (in D.)	6	1	0	4	9%
2 grosse Floten.	11	1	2	3	7%
BASS.TUBA.	7	0	2	3	6%

Sinfonia in G Major

edward.maurath

3:04	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	0	1	4	91%
	15	0	1	4	91%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	0	1	4	91%
	15	0	1	4	91%
Fagotto	17	4	1	4	91%
Oboe 1	13	0	1	4	91%
Oboe 2	11	0	1	5	91%
Viole	11	0	0	4	91%
Violini 1	13	0	1	4	91%
Violini 2	16	0	1	4	91%
Violoncello Continuo	15	0	1	4	91%
Contrabassi Continuo	15	0	1	4	83%
Violoncelli Continuo	15	0	1	4	83%
Corni G	11	18	0	5	67%
Corni D	11	15	1	5	35%

Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:20	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	4	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Cesare, "Non e si vago e bello" from HWV 17, (1724)

edward.maurath

4:10	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	20	8	6	4	100%
	21	16	6	4	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	20	8	6	4	100%
	21	16	6	4	100%
Harpsichord	20	8	6	4	100%
	22	17	6	4	100%
Celli	21	0	5	4	100%
Continuo	21	0	5	5	100%
Kontrebaß	21	0	5	4	100%
Violini	14	4	1	5	90%
Cesare	14	0	3	5	79%
Violas	11	0	0	4	16%

Expressive glances - TTBar+SATB Sullivan

sangerforum

2:46	Est. Play Time
74	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	62	10	4	100%
	25	34	11	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	62	10	4	100%
	25	34	11	5	100%
Alto	10	1	3	5	57%
Bass	10	4	1	5	57%
Soprano	13	0	3	5	57%
Tenor	9	0	3	5	57%
Cyril	12	0	5	7	31%
Florian	13	0	4	6	28%
Hilarion	11	0	2	6	27%